- Feminist theory
- Film theory and production
- Comparative literary and art theory
- Cultural politics
- Third world arts and politics
- Postcolonial theory and transnational studies
Originally trained as a musical composer, who received her two masters and Ph.D. from University of Illinois, Champaign-Urbana, Trinh T. Minh-ha is a world-renowned independent filmmaker and feminist, post-colonial theorist. She teaches courses that focus on women’s work as related to cultural politics, post-coloniality, contemporary critical theory and the arts. She has also taught at Harvard, Smith, Cornell, San Francisco State University, the University of Illinois, Ochanomizu University in Japan, and the National Conservatory of Music in Senegal.Aside from the eight books she has published, her work also includes two large-scale multimedia installations and six feature-length films that have been honored in twenty seven retrospectives around the world: Reassemblage (1982), Naked Spaces (1985), Surname Viet Given Name Nam (1989), Shoot for the Contents (1991), A Tale of Love (1996), The Fourth Dimension (2001), and Night Passage (2004) .
A TALE OF LOVE follows the quest of a woman in love with 'Love'. The film is loosely inspired by THE TALE OF KIEU, the Vietnamese national poem of love marked by internal turbulence and foreign domination. Exposing the fiction of love and the process of consumption, the film marginalizes traditional narrative conventions and utilizes interaction of reality, memory and dream.